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Page 118
... happen- ing in real life . Tchehov saw that , and made his plots characteristic of real life by choosing for his ... happened if allowed to run their natural course in real life . " The Three Sisters is a prime example of this art . It ...
... happen- ing in real life . Tchehov saw that , and made his plots characteristic of real life by choosing for his ... happened if allowed to run their natural course in real life . " The Three Sisters is a prime example of this art . It ...
Page 133
... happen to people happen to them without their attempting to express them . The novelist can get at these things ; the dramatist has to invent ex- pressive words for them which he knows his people would not have spoken , second nature ...
... happen to people happen to them without their attempting to express them . The novelist can get at these things ; the dramatist has to invent ex- pressive words for them which he knows his people would not have spoken , second nature ...
Page 191
... happening and how they happen , but not why . If he accepts con- ventions , it is because they are actual facts ; they exist , and are among the motive forces of the world . If he seems to lack moral imagina- tion , it is because ...
... happening and how they happen , but not why . If he accepts con- ventions , it is because they are actual facts ; they exist , and are among the motive forces of the world . If he seems to lack moral imagina- tion , it is because ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth