Drama |
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Page 100
The first time he is a megalomaniac daydreamer , who is at last prepared to thunder out his message to the world , and give away his hoarded gold of thought . He acts for the moment as a stimulant to Rosmer's courage when meeting the ...
The first time he is a megalomaniac daydreamer , who is at last prepared to thunder out his message to the world , and give away his hoarded gold of thought . He acts for the moment as a stimulant to Rosmer's courage when meeting the ...
Page 139
She speaks and behaves to him as though she had it in her to give so much , something so extreme in the way of passion and self - abandonment , that she cannot bear to give it him or to anyone . The risk for her is too tremendous ...
She speaks and behaves to him as though she had it in her to give so much , something so extreme in the way of passion and self - abandonment , that she cannot bear to give it him or to anyone . The risk for her is too tremendous ...
Page 190
... of actors who give their services to the Stage Society is small . ... of learning their art , of testing their scope , and perhaps — if managers know their business — in making an impression on those who have parts to give away .
... of actors who give their services to the Stage Society is small . ... of learning their art , of testing their scope , and perhaps — if managers know their business — in making an impression on those who have parts to give away .
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Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
DETECTIVE | 6 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
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actors admirable appears artist audience beauty becomes believe better bring Cæsar character comedy course criticism curtain death delight dialogue drama dramatist effect emotion English enjoy excellent expression eyes fact failed falls father feel figure girl give Hamlet hand happen human Ibsen imagination important impression interest kind leaves light lines live look lover matter means mind Miss moment moments moral moving nature never once passages passion performance perhaps person play present producer relations remember respect Sarah Bernhardt scene seemed seen sense sentiment Shakespeare Shaw side speak speech spirit stage story suggest sure talk tells tenderness Theatre theme things thought tion touch tragedy true turn understand voice wants whole wife woman write young youth