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Page 87
... emotion and revelation of character . In The Cherry Orchard it is only part of a consistent perfection . There is not five minutes space anywhere in the dialogue , which would not , like a drop beneath a microscope , be found swarming ...
... emotion and revelation of character . In The Cherry Orchard it is only part of a consistent perfection . There is not five minutes space anywhere in the dialogue , which would not , like a drop beneath a microscope , be found swarming ...
Page 276
... emotions himself ; and further , having done so , he must not loathe them as some people loathe amorous emotions after having been dipped in them . He may distrust religious emotion , he may dislike exceedingly many of its manifesta ...
... emotions himself ; and further , having done so , he must not loathe them as some people loathe amorous emotions after having been dipped in them . He may distrust religious emotion , he may dislike exceedingly many of its manifesta ...
Page 369
... emotions are again in action . Poets and critics have made famous the beauty of her expressive hands . Watch them ... emotion , may portray only a waiting blankness , the tremor of passion already speaks through her body ; so that she ...
... emotions are again in action . Poets and critics have made famous the beauty of her expressive hands . Watch them ... emotion , may portray only a waiting blankness , the tremor of passion already speaks through her body ; so that she ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth