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Page 8
... effect of beauty consonant with a play , but a play which would prove duly subordin- ate to them . Dr. Reinhardt ( but I have only seen two of his productions and am generalizing chiefly from his Edipus ) seems to hold that if only an ...
... effect of beauty consonant with a play , but a play which would prove duly subordin- ate to them . Dr. Reinhardt ( but I have only seen two of his productions and am generalizing chiefly from his Edipus ) seems to hold that if only an ...
Page 92
... effects . Each drop of water , each minute , is put under a microscope ; in the end there is a reve- lation of swarming life positively oceanic in effect , but the method is one inadaptable to the stage . Only on the Chinese stage ...
... effects . Each drop of water , each minute , is put under a microscope ; in the end there is a reve- lation of swarming life positively oceanic in effect , but the method is one inadaptable to the stage . Only on the Chinese stage ...
Page 100
... effect of a shabby spectre of all idealistic aspiration . I cannot suggest any definite alteration in Mr Farquharson's manner , but the staging of his appearance might well help him more to achieve that spectral effect . ( I am in ...
... effect of a shabby spectre of all idealistic aspiration . I cannot suggest any definite alteration in Mr Farquharson's manner , but the staging of his appearance might well help him more to achieve that spectral effect . ( I am in ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth