Drama |
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Page 32
... characters instinctively conceived to work out their relations in unrestricted liberty " , and this submission to traditional practice which ignores the facts of life and character . One of the main prin- ciples of Shakespearean ...
... characters instinctively conceived to work out their relations in unrestricted liberty " , and this submission to traditional practice which ignores the facts of life and character . One of the main prin- ciples of Shakespearean ...
Page 33
... character . " Acting out of character was perfectly familiar to the dramatic art of the time . ” There is no doubt that Shakespearean drama still bears distinct traces of its primitive origins ; its principal aim was to achieve the ...
... character . " Acting out of character was perfectly familiar to the dramatic art of the time . ” There is no doubt that Shakespearean drama still bears distinct traces of its primitive origins ; its principal aim was to achieve the ...
Page 256
... character Mr. Cedric Hardwicke achieves in that part ! ) was ever a French provincial doctor , not a word to suggest ... character . The novelist may start from character , but a playwright will be wise to start from situations . And for ...
... character Mr. Cedric Hardwicke achieves in that part ! ) was ever a French provincial doctor , not a word to suggest ... character . The novelist may start from character , but a playwright will be wise to start from situations . And for ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth