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Page 16
... better pulled together than the Court Theatre company succeeds in doing . Their performance , however , aims at something better , but it is dreadfully out of gear . Very little imagination has been spent on the pro- duction . Mr. Fagan ...
... better pulled together than the Court Theatre company succeeds in doing . Their performance , however , aims at something better , but it is dreadfully out of gear . Very little imagination has been spent on the pro- duction . Mr. Fagan ...
Page 77
... better and better every day in every way " . The sense of the momentous and irrevocable is too weak just now for Ibsen to be understood , who in his own fashion was as possessed by it as Robert Browning , Carlyle , or any revivalist ...
... better and better every day in every way " . The sense of the momentous and irrevocable is too weak just now for Ibsen to be understood , who in his own fashion was as possessed by it as Robert Browning , Carlyle , or any revivalist ...
Page 166
... better than Cressida herself . He was not hampered by having to pretend to be a woman ; he had merely to act the part of Achilles ' minion ; he looked boyishly feminine . But had he been dressed as a woman he , too , would have at once ...
... better than Cressida herself . He was not hampered by having to pretend to be a woman ; he had merely to act the part of Achilles ' minion ; he looked boyishly feminine . But had he been dressed as a woman he , too , would have at once ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth