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Page 31
... audience . Modern drama presupposes that no spectators are present ; Shakespeare's stage was surrounded by them on three sides ; dramatic devices which to us seem clumsy , to them seemed natural . The relation between actors and audience ...
... audience . Modern drama presupposes that no spectators are present ; Shakespeare's stage was surrounded by them on three sides ; dramatic devices which to us seem clumsy , to them seemed natural . The relation between actors and audience ...
Page 136
... audience . The Girl and the Puppet could not , there- fore , be really to the liking of an English audience taken as a whole . If I stop to consider what is good and bad in this English preference for treating sexual passion , as they ...
... audience . The Girl and the Puppet could not , there- fore , be really to the liking of an English audience taken as a whole . If I stop to consider what is good and bad in this English preference for treating sexual passion , as they ...
Page 308
... audience incontinently conclude that Professor Coppledick was the criminal . That would never do . I instantly changed his name , his aspect and his manner . He became Dr. Staveley St. Pole , a notori- ous eccentric , well - connected ...
... audience incontinently conclude that Professor Coppledick was the criminal . That would never do . I instantly changed his name , his aspect and his manner . He became Dr. Staveley St. Pole , a notori- ous eccentric , well - connected ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
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acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth