Drama |
From inside the book
Results 1-3 of 23
Page 40
... Hamlet's relation to his mother he struck it too hard , so that the scene between Hamlet and his mother took on a Freudian significance . This is a mistake and artistically un- interesting . Hamlet's habit of dwelling in words of ...
... Hamlet's relation to his mother he struck it too hard , so that the scene between Hamlet and his mother took on a Freudian significance . This is a mistake and artistically un- interesting . Hamlet's habit of dwelling in words of ...
Page 41
... Hamlet's behaviour must be distracted to the last degree , but I see no justification for the clutching , frantic physi- cal tenderness which Mr Barrymore exhibits to- wards his mother ... Hamlet's tragic sense of life , 41 THE NEW HAMLET.
... Hamlet's behaviour must be distracted to the last degree , but I see no justification for the clutching , frantic physi- cal tenderness which Mr Barrymore exhibits to- wards his mother ... Hamlet's tragic sense of life , 41 THE NEW HAMLET.
Page 42
... Hamlets . Tree used to return to kiss the tresses of the prostrate Ophelia ; Kean , it is said , used to play the scene as though Hamlet were counterfeiting brutality in order to conceal the tenderest passion ; Wilkes , so Davis says ...
... Hamlets . Tree used to return to kiss the tresses of the prostrate Ophelia ; Kean , it is said , used to play the scene as though Hamlet were counterfeiting brutality in order to conceal the tenderest passion ; Wilkes , so Davis says ...
Contents
SHAKESPEARE | 5 |
SHYLOCKS PAST AND PRESENT January 24th | 15 |
Othello May 7th 1921 | 21 |
28 other sections not shown
Other editions - View all
Common terms and phrases
acter actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character charm Cleopatra comedy comic course Coward criticism curtain dark death delightful Detective Drama dialogue Dinner at Eight dramatist Duse effect emotion English enjoy excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet heart human husband Iago Ibsen imagination intellectual interest Joan Julius Cæsar kind King live look lover Magda Maugham mind Miss modern moral nature never night Noel Coward once Othello passion pathos performance play poetry Queen remember Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Shylock SOMERSET MAUGHAM speak speech spirit stage story suggest sympathy Tchehov tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya voice wife woman words write young youth