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Page 141
... youth dreams of ; to have been young and a nation's poet ; to have been mar- velled at , adored , and , thanks to possessing also the gifts of an amazing improvisatore and an orator's vanity , to have seldom disappointed those whom he ...
... youth dreams of ; to have been young and a nation's poet ; to have been mar- velled at , adored , and , thanks to possessing also the gifts of an amazing improvisatore and an orator's vanity , to have seldom disappointed those whom he ...
Page 317
... youth ( for youth has the air often of taking life on trust as a romantic adventure ) , of his capacity for drawing young creatures , of his insight into them , and of the limitations of that delightful insight - which are very marked ...
... youth ( for youth has the air often of taking life on trust as a romantic adventure ) , of his capacity for drawing young creatures , of his insight into them , and of the limitations of that delightful insight - which are very marked ...
Page 318
... youth , because I have never yet seen in his work that sympathy with pimpled and sullen spiritual gawkiness which , it seems to me , youth's true lover must also possess . Youth is essentially the thinking time . It is an enjoying time ...
... youth , because I have never yet seen in his work that sympathy with pimpled and sullen spiritual gawkiness which , it seems to me , youth's true lover must also possess . Youth is essentially the thinking time . It is an enjoying time ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth