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Page 247
... young can't be expected to enjoy his company , but that he should- n't delight in theirs or in seeing them enjoy them- selves - well , that is incredible ! The It is quite a good idea for a comedy , but The Breadwinner is not quite a ...
... young can't be expected to enjoy his company , but that he should- n't delight in theirs or in seeing them enjoy them- selves - well , that is incredible ! The It is quite a good idea for a comedy , but The Breadwinner is not quite a ...
Page 304
... young man and quickly disappears . The other follows him . Again No. 17 holds the stage ; there is no sign of life within . Presently another young man enters , clearly the lost friend . He , too , glances at No. 17 and betrays im ...
... young man and quickly disappears . The other follows him . Again No. 17 holds the stage ; there is no sign of life within . Presently another young man enters , clearly the lost friend . He , too , glances at No. 17 and betrays im ...
Page 317
... young is a boundless , tender admiration - provided that the young con- sent to being figures in the picture and remaining in it ; but woe betide if they do not ! Sir James Barrie's attitude towards youth in his writings strikes me as ...
... young is a boundless , tender admiration - provided that the young con- sent to being figures in the picture and remaining in it ; but woe betide if they do not ! Sir James Barrie's attitude towards youth in his writings strikes me as ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth