Drama |
From inside the book
Results 1-3 of 78
Page 105
... woman could ever live in peace and affection . There are two sides to " The Captain's " nature , both as extreme as they were in Strindberg himself ; the impulse of the tyrant , of the gigantic hero whom woman , and especially a wife ...
... woman could ever live in peace and affection . There are two sides to " The Captain's " nature , both as extreme as they were in Strindberg himself ; the impulse of the tyrant , of the gigantic hero whom woman , and especially a wife ...
Page 157
... women , Moreover , she will presently speak of herself thus : Once I was lovely ; not a blowing rose More chastely sweet , till thou , thou , thou , foul canker , ( Stir not ) didst poison me . I was a world of virtue ; and in lines of ...
... women , Moreover , she will presently speak of herself thus : Once I was lovely ; not a blowing rose More chastely sweet , till thou , thou , thou , foul canker , ( Stir not ) didst poison me . I was a world of virtue ; and in lines of ...
Page 166
... women's parts must be taken by young men . There is loss and gain in this . It very seldom hap- pens that a young man can be found who is physic- ally and emotionally able to act a serious feminine part , especially when her character ...
... women's parts must be taken by young men . There is loss and gain in this . It very seldom hap- pens that a young man can be found who is physic- ally and emotionally able to act a serious feminine part , especially when her character ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
22 other sections not shown
Other editions - View all
Common terms and phrases
acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth