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Page 37
... whole . " It does for the reader . But these aerial charms exhale from an untidy , artificial , absurd story , the machinery of which grinds and creaks with an intolerable insistence on the stage . The most delicate poetry is everywhere ...
... whole . " It does for the reader . But these aerial charms exhale from an untidy , artificial , absurd story , the machinery of which grinds and creaks with an intolerable insistence on the stage . The most delicate poetry is everywhere ...
Page 167
... whole , even though , emotionally considered , they are themselves non - conductors . Now , the great merit of Troilus and Cressida at Cambridge was that the incidents of a play , singularly confusing to read , were presented in their ...
... whole , even though , emotionally considered , they are themselves non - conductors . Now , the great merit of Troilus and Cressida at Cambridge was that the incidents of a play , singularly confusing to read , were presented in their ...
Page 257
... whole surface . Mr. Emlyn Williams , all honour to him , has seen to it that it shall be for us a thoroughly familiar English pond . There is not a line which suggests that Dr. Haggett ( what a character Mr. Cedric Hardwicke achieves in ...
... whole surface . Mr. Emlyn Williams , all honour to him , has seen to it that it shall be for us a thoroughly familiar English pond . There is not a line which suggests that Dr. Haggett ( what a character Mr. Cedric Hardwicke achieves in ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth