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Page 57
... voice . When Maeterlinck proposed to stretch a gauze- veil between the stage and audience , and spoke of his ... voices than characters . We need to hear them more than to see them clearly . The impressions of sight are too ...
... voice . When Maeterlinck proposed to stretch a gauze- veil between the stage and audience , and spoke of his ... voices than characters . We need to hear them more than to see them clearly . The impressions of sight are too ...
Page 61
... Voice : " What did you think of it ? " D. M .: " Splendid play ; poor performance . " ( The production and the acting have improved immensely since the first night . ) Voice : " What ! Splendid ? ... Pastor Manders ? ... The whole thing ...
... Voice : " What did you think of it ? " D. M .: " Splendid play ; poor performance . " ( The production and the acting have improved immensely since the first night . ) Voice : " What ! Splendid ? ... Pastor Manders ? ... The whole thing ...
Page 116
... voices of the world be dumb ! Your woes are at an end . I come . The Tramp wakes sick and shivering in the dark . The wood is full of voices : " I am wounded " — " Water " - " Aha ! Got ' em . " ( That must be the voice of the Ichneumon ...
... voices of the world be dumb ! Your woes are at an end . I come . The Tramp wakes sick and shivering in the dark . The wood is full of voices : " I am wounded " — " Water " - " Aha ! Got ' em . " ( That must be the voice of the Ichneumon ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth