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Page 75
... understand neither how dead he was all those years after his fall , nourishing himself in solitude on the dream that one day his fellow- citizens would find his services indispensable , nor can you understand the significance of his ...
... understand neither how dead he was all those years after his fall , nourishing himself in solitude on the dream that one day his fellow- citizens would find his services indispensable , nor can you understand the significance of his ...
Page 174
... understand that he was a particularly fine specimen among Russian landowners , an active , aspiring , generous young man of high ability . He married for love a Jewess whose rich parents discarded her for making a " mixed marriage ...
... understand that he was a particularly fine specimen among Russian landowners , an active , aspiring , generous young man of high ability . He married for love a Jewess whose rich parents discarded her for making a " mixed marriage ...
Page 178
... understand . The limitations of elderly people in all directions spring from only heeding what they al- ready understand , or think they do . Naturally , therefore , I had been gratified by my evening's experience , and , naturally , I ...
... understand . The limitations of elderly people in all directions spring from only heeding what they al- ready understand , or think they do . Naturally , therefore , I had been gratified by my evening's experience , and , naturally , I ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth