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Page 109
... touching than misfortune on the stage . It is the strongest colour on the writer's palette . The better sort are often ... touch of it , but it tips over perpetually into senti- mentality . The performance suffered all through from the ...
... touching than misfortune on the stage . It is the strongest colour on the writer's palette . The better sort are often ... touch of it , but it tips over perpetually into senti- mentality . The performance suffered all through from the ...
Page 317
... touch in drawing old people , in whom there is often not exactly a second childhood but a second innocence , and granted a certain easiness of circum- stance and heart , a disposition to make of life in retrospect a pretty , simple ...
... touch in drawing old people , in whom there is often not exactly a second childhood but a second innocence , and granted a certain easiness of circum- stance and heart , a disposition to make of life in retrospect a pretty , simple ...
Page 358
... touch me -- true , its humours sometimes make me laugh . I have never seen , or even heard of , tragedy on the films ... touching me is the desperate and comic humility of Charlie . There is something numbing to emotions in the state of ...
... touch me -- true , its humours sometimes make me laugh . I have never seen , or even heard of , tragedy on the films ... touching me is the desperate and comic humility of Charlie . There is something numbing to emotions in the state of ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth