Drama |
From inside the book
Results 1-3 of 50
Page 77
... thought , which was ex- citing and profound . Indeed , the intensity of the thought below the current of events was so great , that he could even indulge in concrete and arbitrary symbolism without the story losing its matter - of- fact ...
... thought , which was ex- citing and profound . Indeed , the intensity of the thought below the current of events was so great , that he could even indulge in concrete and arbitrary symbolism without the story losing its matter - of- fact ...
Page 149
... thought , he has never been a slave to the pedantry of realistic technique . In the old plays The Phoenix Society revives , this reminder strikes us still more vividly . As con- tributions to thought and stimulants to feeling they are ...
... thought , he has never been a slave to the pedantry of realistic technique . In the old plays The Phoenix Society revives , this reminder strikes us still more vividly . As con- tributions to thought and stimulants to feeling they are ...
Page 230
... thought I recognized in him a hint or two taken from real life . ) He is very intelligent ; but , alas ! the political game has caught him and forced him to devote his faculties to steering adroitly from moment to moment rather than to ...
... thought I recognized in him a hint or two taken from real life . ) He is very intelligent ; but , alas ! the political game has caught him and forced him to devote his faculties to steering adroitly from moment to moment rather than to ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
22 other sections not shown
Other editions - View all
Common terms and phrases
acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth