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Page 37
... tenderness find more perfect expression in a single cry . There are passages in Cymbeline which are perfect examples in the art of sinking . Even the producer , who spared us few of them at the New Theatre , could not persuade Miss ...
... tenderness find more perfect expression in a single cry . There are passages in Cymbeline which are perfect examples in the art of sinking . Even the producer , who spared us few of them at the New Theatre , could not persuade Miss ...
Page 41
... tenderness which Mr Barrymore exhibits to- wards his mother . In the first quarto ( every actor should consult the quartos for lights upon Shake- spearean parts ) the Queen , in giving an account of it , says : " He throws and tosses me ...
... tenderness which Mr Barrymore exhibits to- wards his mother . In the first quarto ( every actor should consult the quartos for lights upon Shake- spearean parts ) the Queen , in giving an account of it , says : " He throws and tosses me ...
Page 288
... tenderness or contempt , accordingly as he was judged as a companion or as a leader of a country in arms , had changed into a selfish , dis- illusioned man at bay , though for the moment victoriously at bay . The Richard before our eyes ...
... tenderness or contempt , accordingly as he was judged as a companion or as a leader of a country in arms , had changed into a selfish , dis- illusioned man at bay , though for the moment victoriously at bay . The Richard before our eyes ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth