Drama |
From inside the book
Results 1-3 of 23
Page 52
... sure , there is no such long interval of delay as in Hamlet ; but delay of some sort there is in all classical and Renaissance revenge tragedies , and these exhorta- tions serve to motive it . " In short , we of later days have read our ...
... sure , there is no such long interval of delay as in Hamlet ; but delay of some sort there is in all classical and Renaissance revenge tragedies , and these exhorta- tions serve to motive it . " In short , we of later days have read our ...
Page 111
... butterflies , the scene as performed is , I am sure , nearer the intention of the author than critics of the production have allowed . The object of the authors is not to emphasize the charm , but the 111 THE INSECT PLAY.
... butterflies , the scene as performed is , I am sure , nearer the intention of the author than critics of the production have allowed . The object of the authors is not to emphasize the charm , but the 111 THE INSECT PLAY.
Page 349
... sarily the last word on the play . Yet there are only two dramatists writing to- day of original creative force : Eugene O'Neil and Sean O'Casey ! In the Royalty Theatre I looked at my programme to be sure that such a play had 349.
... sarily the last word on the play . Yet there are only two dramatists writing to- day of original creative force : Eugene O'Neil and Sean O'Casey ! In the Royalty Theatre I looked at my programme to be sure that such a play had 349.
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
22 other sections not shown
Other editions - View all
Common terms and phrases
acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth