Drama |
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Page 21
... story about the Moor , who murdered his innocent wife from jea- lousy , what he says is part true , and , oddly enough , though in a very different spirit , Swinburne agrees with him . Tolstoy says that Iago in Cinthio's story is an ...
... story about the Moor , who murdered his innocent wife from jea- lousy , what he says is part true , and , oddly enough , though in a very different spirit , Swinburne agrees with him . Tolstoy says that Iago in Cinthio's story is an ...
Page 70
... story , the story of the play , is a Pierrot story from beginning to end . What are the two experiences in reaction to which Pierrot shows that sentiment which is peculiarly his ? En- tirely sensual , yet airily tender , hopeless love ...
... story , the story of the play , is a Pierrot story from beginning to end . What are the two experiences in reaction to which Pierrot shows that sentiment which is peculiarly his ? En- tirely sensual , yet airily tender , hopeless love ...
Page 358
... story in one picture - some of Daumier's drawings have a whole story , and a very good story , in them ; you can find a poem in a picture , but these feats require a long exposure before the mind . Now the cinema has been with us a good ...
... story in one picture - some of Daumier's drawings have a whole story , and a very good story , in them ; you can find a poem in a picture , but these feats require a long exposure before the mind . Now the cinema has been with us a good ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth