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Page 10
... spirit of each scene , yet leaving them free . Had space permitted , I should have gone on to say of the performance of A Midsummer's Night's Dream that I did not think Mr. Norman Wilkinson's scenery beautiful , that it was distracting ...
... spirit of each scene , yet leaving them free . Had space permitted , I should have gone on to say of the performance of A Midsummer's Night's Dream that I did not think Mr. Norman Wilkinson's scenery beautiful , that it was distracting ...
Page 278
... Spirit of the Universe to find a way for itself . The first duty of man is to make himself a channel for that Spirit's passage . If he does , he is a " saint " ; and though he may be burned , he will exercise strange power over even ...
... Spirit of the Universe to find a way for itself . The first duty of man is to make himself a channel for that Spirit's passage . If he does , he is a " saint " ; and though he may be burned , he will exercise strange power over even ...
Page 323
... Spirit Father ; and two arctic ex- plorers ( one of them the Father in question ) freezing in their tent , who the next moment were racing each other , chaffing in highest spirits , up the marble steps of Heaven . You see , there was ...
... Spirit Father ; and two arctic ex- plorers ( one of them the Father in question ) freezing in their tent , who the next moment were racing each other , chaffing in highest spirits , up the marble steps of Heaven . You see , there was ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth