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Page 257
... situations , and those situations will lack the highest degree of interest possible unless they are linked logically together : in other words , he must have a plot . The Late Christopher Bean has a precise and perfectly satisfactory ...
... situations , and those situations will lack the highest degree of interest possible unless they are linked logically together : in other words , he must have a plot . The Late Christopher Bean has a precise and perfectly satisfactory ...
Page 355
... situations , in a sense , unexaggerative . I remembered , too , what he had written himself : " Still funnier is the person in a ludicrous position who , in spite of it , refuses to admit that anything out of the ordi- nary is happening ...
... situations , in a sense , unexaggerative . I remembered , too , what he had written himself : " Still funnier is the person in a ludicrous position who , in spite of it , refuses to admit that anything out of the ordi- nary is happening ...
Page 360
... situations as the eye apprehends them , lovers meeting or parting , fathers and sons quarrelling or being reconciled , people humiliating or consoling each other , but the revealing things men and women say at such moments . Abstract ...
... situations as the eye apprehends them , lovers meeting or parting , fathers and sons quarrelling or being reconciled , people humiliating or consoling each other , but the revealing things men and women say at such moments . Abstract ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth