Drama |
From inside the book
Results 1-3 of 32
Page 30
... side of his art , and has sought to judge all the rest from this . But Shakespeare's art- form is in fact a mixture of the most highly developed with quite primitive elements : on one side an inexpressible delicacy and subtlety in the ...
... side of his art , and has sought to judge all the rest from this . But Shakespeare's art- form is in fact a mixture of the most highly developed with quite primitive elements : on one side an inexpressible delicacy and subtlety in the ...
Page 65
... side of man's nature , a one- sided poet therefore if you like , but by far the greatest spokesman of that side . His plays were a bag of dynamite into which any social reformer could dip , but it was not the fall of this or that ...
... side of man's nature , a one- sided poet therefore if you like , but by far the greatest spokesman of that side . His plays were a bag of dynamite into which any social reformer could dip , but it was not the fall of this or that ...
Page 69
... side - stepped than they were in the speaking of this dialogue . It was some time before I woke up to the fact that it was rhymed ; indeed , even after I had , my ear continually missed the rhymes . Mr. Robert Loraine is a most accom ...
... side - stepped than they were in the speaking of this dialogue . It was some time before I woke up to the fact that it was rhymed ; indeed , even after I had , my ear continually missed the rhymes . Mr. Robert Loraine is a most accom ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
ACTORS AND ACTRESSES | 74 |
11 other sections not shown
Other editions - View all
Common terms and phrases
acters actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain daughter death delight dialogue Dinner at Eight doctor drama dramatist Duse effect emotion English enjoy Enriquetta excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Ivanoff Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral nature never Noel Coward once Othello passion pathos performance play poetry Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Sheppey Shylock Sonya speak speech spirit stage Stephen Moor story Strindberg suggest sympathy talk Tchehov tenderness Theatre theme thing thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth