Drama |
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Page 30
... side of his art , and has sought to judge all the rest from this . But Shakespeare's art- form is in fact a mixture of the most highly developed with quite primitive elements : on one side an inexpressible delicacy and subtlety in the ...
... side of his art , and has sought to judge all the rest from this . But Shakespeare's art- form is in fact a mixture of the most highly developed with quite primitive elements : on one side an inexpressible delicacy and subtlety in the ...
Page 65
... side of man's nature , a one- sided poet therefore if you like , but by far the greatest spokesman of that side . His plays were a bag of dynamite into which any social reformer could dip , but it was not the fall of this or that ...
... side of man's nature , a one- sided poet therefore if you like , but by far the greatest spokesman of that side . His plays were a bag of dynamite into which any social reformer could dip , but it was not the fall of this or that ...
Page 69
... side - stepped than they were in the speaking of this dialogue . It was some time before I woke up to the fact that it was rhymed ; indeed , even after I had , my ear continually missed the rhymes . Mr. Robert Loraine is a most accom ...
... side - stepped than they were in the speaking of this dialogue . It was some time before I woke up to the fact that it was rhymed ; indeed , even after I had , my ear continually missed the rhymes . Mr. Robert Loraine is a most accom ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth