Drama |
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Page 69
... sentiment , the hungry arrivism of the Second Empire grinned and growled and snatched and pushed , roaring through the mouth of Balzac , turning to philosophic egoism in Stendhal , and hail- ing the embodiment of its day - dreams in the ...
... sentiment , the hungry arrivism of the Second Empire grinned and growled and snatched and pushed , roaring through the mouth of Balzac , turning to philosophic egoism in Stendhal , and hail- ing the embodiment of its day - dreams in the ...
Page 70
... sentiment which is peculiarly his ? En- tirely sensual , yet airily tender , hopeless love , and the tragedy of old age . ( Don't you see him kneeling in whimsical adoration , his geranium mouth pouted to an O , then drooping , drooping ...
... sentiment which is peculiarly his ? En- tirely sensual , yet airily tender , hopeless love , and the tragedy of old age . ( Don't you see him kneeling in whimsical adoration , his geranium mouth pouted to an O , then drooping , drooping ...
Page 71
Desmond MacCarthy. of the same stuff . Still the sentiment of Deburau is real Pierrot sentiment , though it is at bottom han- dled rather grossly and casually , and what the pro- duction at The Ambassadors lacked all through was a grasp ...
Desmond MacCarthy. of the same stuff . Still the sentiment of Deburau is real Pierrot sentiment , though it is at bottom han- dled rather grossly and casually , and what the pro- duction at The Ambassadors lacked all through was a grasp ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth