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Page 8
... produce an effect of beauty consonant with a play , but a play which would prove duly subordin- ate to them . Dr ... producing a vivid effect to the eye . He , too , tethers our imaginations like Sir Herbert . Mr. Granville Barker - but ...
... produce an effect of beauty consonant with a play , but a play which would prove duly subordin- ate to them . Dr ... producing a vivid effect to the eye . He , too , tethers our imaginations like Sir Herbert . Mr. Granville Barker - but ...
Page 161
... produced last year in Rome and made a great impression . The Stage Society's programme included a note by A. W. on the play . It was needed ; for without some introduction , many of the audience would have been puzzled by this ...
... produced last year in Rome and made a great impression . The Stage Society's programme included a note by A. W. on the play . It was needed ; for without some introduction , many of the audience would have been puzzled by this ...
Page 206
... produce it unless the author were at my elbow ; and when a critic feels like that about a play which has excited him ... produce a play with an expenditure of a fifth of the intellectual energy and emotion necessary to produce a novel of ...
... produce it unless the author were at my elbow ; and when a critic feels like that about a play which has excited him ... produce a play with an expenditure of a fifth of the intellectual energy and emotion necessary to produce a novel of ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth