Drama |
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Page 5
... Perhaps , for their benefit , goggles might be procur- able for a shilling in the slot , as opera - glasses are now for others . Certainly the producer can do nothing more for them than that ; he cannot be ex- pected to consider people ...
... Perhaps , for their benefit , goggles might be procur- able for a shilling in the slot , as opera - glasses are now for others . Certainly the producer can do nothing more for them than that ; he cannot be ex- pected to consider people ...
Page 212
... Perhaps Robert can give her something he cannot ( 0 , he knows how unsatisfying and yet how much that has been ! ) ; something no human being has a right to prevent another having . This is the first thing he must find out . The scene ...
... Perhaps Robert can give her something he cannot ( 0 , he knows how unsatisfying and yet how much that has been ! ) ; something no human being has a right to prevent another having . This is the first thing he must find out . The scene ...
Page 222
... Perhaps I had better ( with apologies ) mention them . The ad- vantages are a clear issue , and that during the play the audience grasps instantly the dramatic point of whatever happens next ; the disadvantages are that during the ...
... Perhaps I had better ( with apologies ) mention them . The ad- vantages are a clear issue , and that during the play the audience grasps instantly the dramatic point of whatever happens next ; the disadvantages are that during the ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth