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Page 23
... performance of Othello at the Court Theatre does not achieve much more than that . I found myself continually criticizing it from the realistic level . One reason why Shakespeare is so hard to act , is that up to a certain point parts ...
... performance of Othello at the Court Theatre does not achieve much more than that . I found myself continually criticizing it from the realistic level . One reason why Shakespeare is so hard to act , is that up to a certain point parts ...
Page 48
... performance of Hamlet at the Court Theatre was in some respects so interesting that when some day a history of stage Hamlets is written it should not be omitted . The performance at the Court proved one thing : that Mr. Gordon Craig's ...
... performance of Hamlet at the Court Theatre was in some respects so interesting that when some day a history of stage Hamlets is written it should not be omitted . The performance at the Court proved one thing : that Mr. Gordon Craig's ...
Page 61
... performance of Ghosts I was rung up on the telephone . Voice : " What did you think of it ? " D. M .: " Splendid play ; poor performance . " ( The production and the acting have improved immensely since the first night . ) Voice ...
... performance of Ghosts I was rung up on the telephone . Voice : " What did you think of it ? " D. M .: " Splendid play ; poor performance . " ( The production and the acting have improved immensely since the first night . ) Voice ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
ACTORS AND ACTRESSES | 74 |
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acters actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain daughter death delight dialogue Dinner at Eight doctor drama dramatist Duse effect emotion English enjoy Enriquetta excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Ivanoff Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral nature never Noel Coward once Othello passion pathos performance play poetry Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Sheppey Shylock Sonya speak speech spirit stage Stephen Moor story Strindberg suggest sympathy talk Tchehov tenderness Theatre theme thing thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth