Drama |
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Page 20
... passion , it is a tamed passion ; it is caged within another - a passion for legality . When the law will not allow him to be revenged , we feel he will not attempt to satisfy his revenge by violence - as Antonio might do . In the ...
... passion , it is a tamed passion ; it is caged within another - a passion for legality . When the law will not allow him to be revenged , we feel he will not attempt to satisfy his revenge by violence - as Antonio might do . In the ...
Page 24
... passion ; Mr. Basil Rathbone's Iago inclines to the cat - like , wicked - grinning , demon- detective tradition ; Mr ... passion is the one human passion of which Iago , with all his insight into human nature , has no ink- ling : the ...
... passion ; Mr. Basil Rathbone's Iago inclines to the cat - like , wicked - grinning , demon- detective tradition ; Mr ... passion is the one human passion of which Iago , with all his insight into human nature , has no ink- ling : the ...
Page 274
... passion for order were the ruling passions is Julius Cæsar . Mr. Shaw did not take my point about the effect of transferring Cæsar's words to Metellus to the mouth of his own Cæsar . I did not object to his Cæsar because he was ...
... passion for order were the ruling passions is Julius Cæsar . Mr. Shaw did not take my point about the effect of transferring Cæsar's words to Metellus to the mouth of his own Cæsar . I did not object to his Cæsar because he was ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth