Drama |
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Page 14
... passages his elocu- tion was excellent , but his voice - a fine one in timbre - is not yet completely under his control . He fails when the passage demands rapidity of utterance ( just , by the by , where Miss McCarthy as a speaker ...
... passages his elocu- tion was excellent , but his voice - a fine one in timbre - is not yet completely under his control . He fails when the passage demands rapidity of utterance ( just , by the by , where Miss McCarthy as a speaker ...
Page 40
... passage , only failing to render as perfectly the flight of bitter philosophic fantasy which breaks it off . Imperious ... passages ( cut in this perform- ance ) in which Hamlet jests about the body of Polonius . To turn , therefore , in ...
... passage , only failing to render as perfectly the flight of bitter philosophic fantasy which breaks it off . Imperious ... passages ( cut in this perform- ance ) in which Hamlet jests about the body of Polonius . To turn , therefore , in ...
Page 155
... passages , care- fully omitting the fustian which lets the listener down the next minute , and by selecting a telling line or two I could convince my readers that char- acters who ought to go the way of all waxwork were really ...
... passages , care- fully omitting the fustian which lets the listener down the next minute , and by selecting a telling line or two I could convince my readers that char- acters who ought to go the way of all waxwork were really ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth