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Page 34
... once in marble ... rather than to spend a lot of time over the dry cal- culations of a ground - plan and the erection of a scaffolding . Therefore , he is apt to hold on to a motive which he has once found , and generally manages — at ...
... once in marble ... rather than to spend a lot of time over the dry cal- culations of a ground - plan and the erection of a scaffolding . Therefore , he is apt to hold on to a motive which he has once found , and generally manages — at ...
Page 116
... Once or twice during the jagged staccato shindy we have heard rise like an exhalation of hope the cry of the Chrysalis : Wild voices of the world be dumb ! Your woes are at an end . I come . The Tramp wakes sick and shivering in the ...
... Once or twice during the jagged staccato shindy we have heard rise like an exhalation of hope the cry of the Chrysalis : Wild voices of the world be dumb ! Your woes are at an end . I come . The Tramp wakes sick and shivering in the ...
Page 214
... once said to me " . Radiant with appreciation , he pro- ceeded to repeat what I remembered distinctly he had once said to me . This incident made an im- pression . So , when I read the other day a paragraph about myself in which I was ...
... once said to me " . Radiant with appreciation , he pro- ceeded to repeat what I remembered distinctly he had once said to me . This incident made an im- pression . So , when I read the other day a paragraph about myself in which I was ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth