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Page 13
... also one of the very best in the performance . Hermia and Helena ( Miss Cowie and Miss Lillah McCarthy ) were admirable . Hermia's vin- dictive , suspicious fury , her gradual transformation into a 13 A MIDSUMMER NIGHT'S DREAM.
... also one of the very best in the performance . Hermia and Helena ( Miss Cowie and Miss Lillah McCarthy ) were admirable . Hermia's vin- dictive , suspicious fury , her gradual transformation into a 13 A MIDSUMMER NIGHT'S DREAM.
Page 61
... night felt like boys again , and glowed to find they had been no fools when they were young , I can only offer the mild pleasure of reading what they already believe , or , incidentally , perhaps the keener one of noting how much better ...
... night felt like boys again , and glowed to find they had been no fools when they were young , I can only offer the mild pleasure of reading what they already believe , or , incidentally , perhaps the keener one of noting how much better ...
Page 302
... night . The spirit of wine , of animated conversation , still sang within me as I walked , and this perhaps was re- sponsible for the frivolous experiment I devised . Surely I could still be frightened in a wood at night ? Not a qualm ...
... night . The spirit of wine , of animated conversation , still sang within me as I walked , and this perhaps was re- sponsible for the frivolous experiment I devised . Surely I could still be frightened in a wood at night ? Not a qualm ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth