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Page 66
... nature . If man is by nature one of a herd and nothing by him- self , he is also conscious of being in himself the judge and dispenser of values , the end for which all tradi- tions and customs exist . " The State is the curse of the ...
... nature . If man is by nature one of a herd and nothing by him- self , he is also conscious of being in himself the judge and dispenser of values , the end for which all tradi- tions and customs exist . " The State is the curse of the ...
Page 132
... Nature , but second nature that makes us undramatic , untheatrical if you will , in the expression of emotion . If you are writing a play in which the characters are ruled by second nature , then the intensity of their story is best ...
... Nature , but second nature that makes us undramatic , untheatrical if you will , in the expression of emotion . If you are writing a play in which the characters are ruled by second nature , then the intensity of their story is best ...
Page 374
... nature , though her part might be that of a flamboyant , thick - skinned thruster like Magda , and her fidelity was ever fidelity to herself . The nature of Sarah Bernhardt's talent , on the other hand , led her readily into the faults ...
... nature , though her part might be that of a flamboyant , thick - skinned thruster like Magda , and her fidelity was ever fidelity to herself . The nature of Sarah Bernhardt's talent , on the other hand , led her readily into the faults ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth