Drama |
From inside the book
Results 1-3 of 40
Page 20
... means of modulating the scene into another key . It is a hope- less task to attempt to make the whole Trial Scene realistic . The only performance I have seen in which it seemed credible that a pound of flesh was actually going to be ...
... means of modulating the scene into another key . It is a hope- less task to attempt to make the whole Trial Scene realistic . The only performance I have seen in which it seemed credible that a pound of flesh was actually going to be ...
Page 49
... means always in control of these devices , but Gordon Craig's principle that by means of simple masses of masonry , the grouping of coloured figures and the shifting of emphasis of light and shadow , drama could be intensified , was ...
... means always in control of these devices , but Gordon Craig's principle that by means of simple masses of masonry , the grouping of coloured figures and the shifting of emphasis of light and shadow , drama could be intensified , was ...
Page 66
... means , but then , please , allow me to torpedo the ark . " These are not the sentiments of a man who feels ... mean one as in Ghosts ( Respectability ) , some- times heroic as in Brand ( " all or nothing " Religion ) , sometimes half ...
... means , but then , please , allow me to torpedo the ark . " These are not the sentiments of a man who feels ... mean one as in Ghosts ( Respectability ) , some- times heroic as in Brand ( " all or nothing " Religion ) , sometimes half ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
22 other sections not shown
Other editions - View all
Common terms and phrases
acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth