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Page 77
... matter of fact enough to be plausible and exactly fitted to carry his thought , which was ex- citing and profound . Indeed , the intensity of the thought below the current of events was so great , that he could even indulge in concrete ...
... matter of fact enough to be plausible and exactly fitted to carry his thought , which was ex- citing and profound . Indeed , the intensity of the thought below the current of events was so great , that he could even indulge in concrete ...
Page 162
... matter - of - fact , dumbfounded Mr. Clark ( call up the image of a man vigorously , not to say blatantly , matter - of - fact ) , the Father explains that such a condition of nebulous un- attached existence has become intolerable ...
... matter - of - fact , dumbfounded Mr. Clark ( call up the image of a man vigorously , not to say blatantly , matter - of - fact ) , the Father explains that such a condition of nebulous un- attached existence has become intolerable ...
Page 206
... matter and imposes so many limita- tions that , within those limits , all except duffers and men of genius are , alas ! more or less on a level . Once a certain knack is learnt the happy proficient in play - writing finds he can produce ...
... matter and imposes so many limita- tions that , within those limits , all except duffers and men of genius are , alas ! more or less on a level . Once a certain knack is learnt the happy proficient in play - writing finds he can produce ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth