Drama |
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Page 101
... live with women , or how to quarrel with them , how to make it up , or how to break with them . They threw him into a state of agonized bewilderment shot with flashes of piercing hate - directed insight . A large part of his work may be ...
... live with women , or how to quarrel with them , how to make it up , or how to break with them . They threw him into a state of agonized bewilderment shot with flashes of piercing hate - directed insight . A large part of his work may be ...
Page 197
... live in the same house , only in this case he wants to keep up appearances . After Clare has run away Mr. Galsworthy imagines four courses open to her : ( 1 ) to earn a meagre , irksome living ( between Acts II and III she tries and ...
... live in the same house , only in this case he wants to keep up appearances . After Clare has run away Mr. Galsworthy imagines four courses open to her : ( 1 ) to earn a meagre , irksome living ( between Acts II and III she tries and ...
Page 347
... live with them , and his determination ( he only knows that this makes him happy ) to scatter his fortune . Such a sudden conversion to the ethics of the New Testament must be madness ! He has failed to redeem the thief who steals from ...
... live with them , and his determination ( he only knows that this makes him happy ) to scatter his fortune . Such a sudden conversion to the ethics of the New Testament must be madness ! He has failed to redeem the thief who steals from ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth