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Page 14
... lines ill and becomes mono- tonous . Miss Silver was a delicious Titania . She spoke her first long speech beautifully , or rather the first part of it , losing her art , it seemed to me , over the description of the floods and frosts ...
... lines ill and becomes mono- tonous . Miss Silver was a delicious Titania . She spoke her first long speech beautifully , or rather the first part of it , losing her art , it seemed to me , over the description of the floods and frosts ...
Page 25
... lines : And : It is the cause , it is the cause , my soul . Yet she must die , else she'll betray more men . One need not be an Iago to see in those lines the working of passion to find a moral justification for itself . Had his agony ...
... lines : And : It is the cause , it is the cause , my soul . Yet she must die , else she'll betray more men . One need not be an Iago to see in those lines the working of passion to find a moral justification for itself . Had his agony ...
Page 50
... lines and the rhetor- ical rhymed flourishes of the exits . It was charac- teristic of his performance that he spoke the lines . The time is out of joint : O cursed spite , That ever I was born to set it right ! with depressed weariness ...
... lines and the rhetor- ical rhymed flourishes of the exits . It was charac- teristic of his performance that he spoke the lines . The time is out of joint : O cursed spite , That ever I was born to set it right ! with depressed weariness ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth