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Page 49
... light upon the scene from the auditorium , shadows , sometimes coloured , repeated most effectively the gestures of the actors . The duel and the play scenes were , by another change of light , silhouetted in dense black in the ...
... light upon the scene from the auditorium , shadows , sometimes coloured , repeated most effectively the gestures of the actors . The duel and the play scenes were , by another change of light , silhouetted in dense black in the ...
Page 56
... light and shadow and a few properties - with much shadow and a little light . We are in a far vaguer place than the Camelot or Ascalon of the poets . Mr. Rickett's high cobweb - silvery curtains were beautiful ; the magni- ficent ...
... light and shadow and a few properties - with much shadow and a little light . We are in a far vaguer place than the Camelot or Ascalon of the poets . Mr. Rickett's high cobweb - silvery curtains were beautiful ; the magni- ficent ...
Page 329
... Light , though some true things were said about it , and others suggested . In the first place , Mr. Aldous Huxley has science in the blood , and he is aware that the ... Light the central crisis is the moment when 329 THE WORLD OF LIGHT.
... Light , though some true things were said about it , and others suggested . In the first place , Mr. Aldous Huxley has science in the blood , and he is aware that the ... Light the central crisis is the moment when 329 THE WORLD OF LIGHT.
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth