Drama |
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Page 257
... kind heart , which can hardly be said of Mrs. Haggett whom Miss Louise Hampton per- sonified with superb and unexaggerated exactness- or of one of his daughters . He has a kind heart , but he has a terrible job in making two ends meet ...
... kind heart , which can hardly be said of Mrs. Haggett whom Miss Louise Hampton per- sonified with superb and unexaggerated exactness- or of one of his daughters . He has a kind heart , but he has a terrible job in making two ends meet ...
Page 257
... kind heart , which can hardly be said of Mrs. Haggett whom Miss Louise Hampton per- sonified with superb and unexaggerated exactness- or of one of his daughters . He has a kind heart , but he has a terrible job in making two ends meet ...
... kind heart , which can hardly be said of Mrs. Haggett whom Miss Louise Hampton per- sonified with superb and unexaggerated exactness- or of one of his daughters . He has a kind heart , but he has a terrible job in making two ends meet ...
Page 356
... kind ; the continual pretence , when the most extraordinary and incongruous things happen , that nothing unusual or unbecoming has occurred . There is , however , another element which is always contributive , not so much to our relish ...
... kind ; the continual pretence , when the most extraordinary and incongruous things happen , that nothing unusual or unbecoming has occurred . There is , however , another element which is always contributive , not so much to our relish ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth