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Page 82
... important that Magda should not appear as a beautiful character as well as a woman obviously in the right . For this reason , Miss Cooper could not have had a better model than Mrs. Camp- bell's interpretation of the part , and to say ...
... important that Magda should not appear as a beautiful character as well as a woman obviously in the right . For this reason , Miss Cooper could not have had a better model than Mrs. Camp- bell's interpretation of the part , and to say ...
Page 246
... important that a joke on the stage should be spontaneous than witty . If it is also a brilliant piece of wit so much the better , but the important thing is that it should seem spontaneous . Mr. Maugham is not so deft at catching life ...
... important that a joke on the stage should be spontaneous than witty . If it is also a brilliant piece of wit so much the better , but the important thing is that it should seem spontaneous . Mr. Maugham is not so deft at catching life ...
Page 345
... important virtue , and the one , oddly enough , which often makes a man trust his in- tuitions against the judgment of the world . With- out drawing our attention to it directly , the play- wright has suggested Sheppey's natural ...
... important virtue , and the one , oddly enough , which often makes a man trust his in- tuitions against the judgment of the world . With- out drawing our attention to it directly , the play- wright has suggested Sheppey's natural ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth