Drama |
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Page 146
... idea of fatality ; of a guilty lust which possesses a man against his will . How much more romantic to connect that possession with the ashes of legendary princes whose names have been enshrined in poetry ! Let , then , the fury of ...
... idea of fatality ; of a guilty lust which possesses a man against his will . How much more romantic to connect that possession with the ashes of legendary princes whose names have been enshrined in poetry ! Let , then , the fury of ...
Page 195
... idea has been his inspiration and not Clare herself - such , at least , is the impression the drawing of her char- acter , and of those with whom her destiny is involved , left on me . The temptation which besets Mr. Gals- worthy most ...
... idea has been his inspiration and not Clare herself - such , at least , is the impression the drawing of her char- acter , and of those with whom her destiny is involved , left on me . The temptation which besets Mr. Gals- worthy most ...
Page 277
... idea ; the question would seem to him like asking if he had a love of bric - a - brac . I do not believe he cares a dump for things that are dead , gone and changed . The first thing he invariably does when his setting is in the past ...
... idea ; the question would seem to him like asking if he had a love of bric - a - brac . I do not believe he cares a dump for things that are dead , gone and changed . The first thing he invariably does when his setting is in the past ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth