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Page 111
... human beings . Though attempts are made to glorify instinct at the expense of reason , neverthe- less everyone feels humiliated when it is brought home that his own reaction to circumstances is as clearly due to innate habit , as a ...
... human beings . Though attempts are made to glorify instinct at the expense of reason , neverthe- less everyone feels humiliated when it is brought home that his own reaction to circumstances is as clearly due to innate habit , as a ...
Page 112
... human butter- flies crudely stimulate their quivering , impatient excitement at a refreshment bar , and then - it matters really nothing which one couples with the other - each pair sinks into the euthanasia of a matter - of - fact ...
... human butter- flies crudely stimulate their quivering , impatient excitement at a refreshment bar , and then - it matters really nothing which one couples with the other - each pair sinks into the euthanasia of a matter - of - fact ...
Page 330
... human nature and the type of person for whom it can be a substitute for religion . To me that identification is profoundly repul- sive . The connection between religion and survival after death is adventitious ; the link is the goodness ...
... human nature and the type of person for whom it can be a substitute for religion . To me that identification is profoundly repul- sive . The connection between religion and survival after death is adventitious ; the link is the goodness ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth