Drama |
From inside the book
Results 1-3 of 32
Page 136
... Girl and the Puppet is a study in physical passion ; its merit is that it contains no sentiment . English audiences do not take kindly to such plays . They must have that theme dished up with senti- ment as a sauce , or the exhibition ...
... Girl and the Puppet is a study in physical passion ; its merit is that it contains no sentiment . English audiences do not take kindly to such plays . They must have that theme dished up with senti- ment as a sauce , or the exhibition ...
Page 162
... girl about eighteen , a youth , say twenty - two , and a little boy about twelve . These people are " Characters ... girls - but there is nothing for them to do . Politely , but with a certain insistence which gradu- ally mesmerizes the ...
... girl about eighteen , a youth , say twenty - two , and a little boy about twelve . These people are " Characters ... girls - but there is nothing for them to do . Politely , but with a certain insistence which gradu- ally mesmerizes the ...
Page 176
... girl , the daughter of a rich , miserly mother . Her attraction for him is that of credulous , admiring , energetic youth for a tired , sceptical man who has lost faith in himself . To the neighbours it looks as though , disappointed in ...
... girl , the daughter of a rich , miserly mother . Her attraction for him is that of credulous , admiring , energetic youth for a tired , sceptical man who has lost faith in himself . To the neighbours it looks as though , disappointed in ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
ACTORS AND ACTRESSES | 74 |
11 other sections not shown
Other editions - View all
Common terms and phrases
acters actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain daughter death delight dialogue Dinner at Eight doctor drama dramatist Duse effect emotion English enjoy Enriquetta excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Ivanoff Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral nature never Noel Coward once Othello passion pathos performance play poetry Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Sheppey Shylock Sonya speak speech spirit stage Stephen Moor story Strindberg suggest sympathy talk Tchehov tenderness Theatre theme thing thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth