Drama |
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Page 93
... figure in that sentimentalized drama of the power of goodness , The Passing of the Third Floor Back . I think Mr. Michael Hogan made a mistake in substituting for the closing scene of the novel , in which Muishkin soothes the raving ...
... figure in that sentimentalized drama of the power of goodness , The Passing of the Third Floor Back . I think Mr. Michael Hogan made a mistake in substituting for the closing scene of the novel , in which Muishkin soothes the raving ...
Page 100
... figures in Rosmersholm . There is another moment , just before it in the play , in which a minor figure- Brandel , a sort of little Peer Gynt ( exceedingly well played by Mr Farquharson ) should appear with the effect almost of a ...
... figures in Rosmersholm . There is another moment , just before it in the play , in which a minor figure- Brandel , a sort of little Peer Gynt ( exceedingly well played by Mr Farquharson ) should appear with the effect almost of a ...
Page 353
... figure of retributive " mercy " ; that there must be diminished effect in repeatedly introducing his sister , that ... figures should suggest that they are symbols as well as individuals . The Bishop was realistic ; he carried no crook ...
... figure of retributive " mercy " ; that there must be diminished effect in repeatedly introducing his sister , that ... figures should suggest that they are symbols as well as individuals . The Bishop was realistic ; he carried no crook ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth