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Page 41
Desmond MacCarthy. face before it appears , to hold her frantically em- braced , to speak as during a neurotic trance ... face with his hands and lowering his voice to a tone of longing tenderness , conveyed that she was " Heaven " . This ...
Desmond MacCarthy. face before it appears , to hold her frantically em- braced , to speak as during a neurotic trance ... face with his hands and lowering his voice to a tone of longing tenderness , conveyed that she was " Heaven " . This ...
Page 182
... face , every pause in his slow deliberate tones tells ) begins by saying that The Other One has puzzled him . " For instance , you seem made up of two men . Looking at your face , you seem a man who braves life , while your back , which ...
... face , every pause in his slow deliberate tones tells ) begins by saying that The Other One has puzzled him . " For instance , you seem made up of two men . Looking at your face , you seem a man who braves life , while your back , which ...
Page 264
... face in her hands - for love be- tween them means ruin to both . But then , when she raises her face , she suddenly skips into the merriest of triumphant dances ! That moment is brilliantly right . It is an example of that quick adroit ...
... face in her hands - for love be- tween them means ruin to both . But then , when she raises her face , she suddenly skips into the merriest of triumphant dances ! That moment is brilliantly right . It is an example of that quick adroit ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth