Drama |
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Page 14
... excellent . The acting revealed more dramatic comedy in the situation than any reader , however imaginative , is likely to feel in it . Everyone has praised Bottom and his friends . The fussy , nervous , accommodating Quince , the ...
... excellent . The acting revealed more dramatic comedy in the situation than any reader , however imaginative , is likely to feel in it . Everyone has praised Bottom and his friends . The fussy , nervous , accommodating Quince , the ...
Page 74
... excellent points about M. Kom- isarjevsky's production , and Mr. Franklin Dyall's Borkman was , in the quiet passages , extremely good . The actors were not up to the tragic intensity of their parts , but it is not surprising that they ...
... excellent points about M. Kom- isarjevsky's production , and Mr. Franklin Dyall's Borkman was , in the quiet passages , extremely good . The actors were not up to the tragic intensity of their parts , but it is not surprising that they ...
Page 123
... excellent passages of acting in their performance . The play is one of those which require , just because the dialogue is so natural , an extreme finesse if its values are to be fully brought out . I thought highly of Miss Gillian ...
... excellent passages of acting in their performance . The play is one of those which require , just because the dialogue is so natural , an extreme finesse if its values are to be fully brought out . I thought highly of Miss Gillian ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
ACTORS AND ACTRESSES | 74 |
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acters actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain daughter death delight dialogue Dinner at Eight doctor drama dramatist Duse effect emotion English enjoy Enriquetta excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Ivanoff Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral nature never Noel Coward once Othello passion pathos performance play poetry Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Sheppey Shylock Sonya speak speech spirit stage Stephen Moor story Strindberg suggest sympathy talk Tchehov tenderness Theatre theme thing thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth