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Page 8
... effect of beauty consonant with a play , but a play which would prove duly subordin- ate to them . Dr. Reinhardt ( but I have only seen two of his productions and am generalizing chiefly from his Edipus ) seems to hold that if only an ...
... effect of beauty consonant with a play , but a play which would prove duly subordin- ate to them . Dr. Reinhardt ( but I have only seen two of his productions and am generalizing chiefly from his Edipus ) seems to hold that if only an ...
Page 92
... effects . Each drop of water , each minute , is put under a microscope ; in the end there is a reve- lation of swarming life positively oceanic in effect , but the method is one inadaptable to the stage . Only on the Chinese stage ...
... effects . Each drop of water , each minute , is put under a microscope ; in the end there is a reve- lation of swarming life positively oceanic in effect , but the method is one inadaptable to the stage . Only on the Chinese stage ...
Page 100
... effect of a shabby spectre of all idealistic aspiration . I cannot suggest any definite alteration in Mr Farquharson's manner , but the staging of his appearance might well help him more to achieve that spectral effect . ( I am in ...
... effect of a shabby spectre of all idealistic aspiration . I cannot suggest any definite alteration in Mr Farquharson's manner , but the staging of his appearance might well help him more to achieve that spectral effect . ( I am in ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth