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Page 44
... curtain , but damn curtains . Whatever passion Hamlet throws into these words , he must keep his top note of triumphant excitement for wild snatches of song which burst from him , when the King has rushed from the hall and the torches ...
... curtain , but damn curtains . Whatever passion Hamlet throws into these words , he must keep his top note of triumphant excitement for wild snatches of song which burst from him , when the King has rushed from the hall and the torches ...
Page 203
... curtain rises is not excruciating ; the scenes afterwards between Stephen and his wife when she tries to restrain him from starting on his anti - war campaign are flat ; Stephen is gentle , dignified , and depressed ; she is reproachful ...
... curtain rises is not excruciating ; the scenes afterwards between Stephen and his wife when she tries to restrain him from starting on his anti - war campaign are flat ; Stephen is gentle , dignified , and depressed ; she is reproachful ...
Page 297
... curtains were drawn over the bay window in which she sat ; all lights save a photo- grapher's red lamp at the other end of the room were extinguished ; we joined hands to make the magic circle . Almost immediately hoarse sounds like ...
... curtains were drawn over the bay window in which she sat ; all lights save a photo- grapher's red lamp at the other end of the room were extinguished ; we joined hands to make the magic circle . Almost immediately hoarse sounds like ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth