Drama |
From inside the book
Results 1-3 of 30
Page 257
... comedy which provokes continual laughter there was not one laugh which was provoked by irrelevant by - play , or one joke which did not owe its humour to rising straight out of the situation ; and that is significant both from the point ...
... comedy which provokes continual laughter there was not one laugh which was provoked by irrelevant by - play , or one joke which did not owe its humour to rising straight out of the situation ; and that is significant both from the point ...
Page 257
... comedy which provokes continual laughter there was not one laugh which was provoked by irrelevant by - play , or one joke which did not owe its humour to rising straight out of the situation ; and that is significant both from the point ...
... comedy which provokes continual laughter there was not one laugh which was provoked by irrelevant by - play , or one joke which did not owe its humour to rising straight out of the situation ; and that is significant both from the point ...
Page 343
... comedy which borders upon drama , and even upon religious drama . It begins in the saloon of a fashionable hairdresser's shop in Jermyn Street , and it ends with a dialogue between a hairdresser's assistant and Death . In Act I and II ...
... comedy which borders upon drama , and even upon religious drama . It begins in the saloon of a fashionable hairdresser's shop in Jermyn Street , and it ends with a dialogue between a hairdresser's assistant and Death . In Act I and II ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
ACTORS AND ACTRESSES | 74 |
11 other sections not shown
Other editions - View all
Common terms and phrases
acters actors actress admirable Alfred Reynolds Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain daughter death delight dialogue Dinner at Eight doctor drama dramatist Duse effect emotion English enjoy Enriquetta excellent exciting expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Ivanoff Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral nature never Noel Coward once Othello passion pathos performance play poetry Rosmersholm Sarah Bernhardt scene sense sentimental Shakespeare Shaw Shaw's Sheppey Shylock Sonya speak speech spirit stage Stephen Moor story Strindberg suggest sympathy talk Tchehov tenderness Theatre theme thing thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth