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Page 257
... comedy which provokes continual laughter there was not one laugh which was provoked by irrelevant by - play , or one joke which did not owe its humour to rising straight out of the situation ; and that is significant both from the point ...
... comedy which provokes continual laughter there was not one laugh which was provoked by irrelevant by - play , or one joke which did not owe its humour to rising straight out of the situation ; and that is significant both from the point ...
Page 257
... comedy which provokes continual laughter there was not one laugh which was provoked by irrelevant by - play , or one joke which did not owe its humour to rising straight out of the situation ; and that is significant both from the point ...
... comedy which provokes continual laughter there was not one laugh which was provoked by irrelevant by - play , or one joke which did not owe its humour to rising straight out of the situation ; and that is significant both from the point ...
Page 343
... comedy which borders upon drama , and even upon religious drama . It begins in the saloon of a fashionable hairdresser's shop in Jermyn Street , and it ends with a dialogue between a hairdresser's assistant and Death . In Act I and II ...
... comedy which borders upon drama , and even upon religious drama . It begins in the saloon of a fashionable hairdresser's shop in Jermyn Street , and it ends with a dialogue between a hairdresser's assistant and Death . In Act I and II ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth