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Page 97
... bring their lives into harmony with their convictions . Different spiritual functions do not develop evenly and ... bringing with it a new sense of values . She asserts this with all the energy of a woman ready to die to convince him of ...
... bring their lives into harmony with their convictions . Different spiritual functions do not develop evenly and ... bringing with it a new sense of values . She asserts this with all the energy of a woman ready to die to convince him of ...
Page 175
... bring out the tragic quality of emotions which hearty , healthy people , let alone the medical profession , label as ... brings misery into the lives of all near him ; he fails to act consistently ; his motives are open to ...
... bring out the tragic quality of emotions which hearty , healthy people , let alone the medical profession , label as ... brings misery into the lives of all near him ; he fails to act consistently ; his motives are open to ...
Page 210
... bring them nearer to nature . Now and then I lost my way in his characters as in a wood , but that did not make me ... brings a man so near the feelings of others that he has never the excuse of blindness , and keeps him at a distance ...
... bring them nearer to nature . Now and then I lost my way in his characters as in a wood , but that did not make me ... brings a man so near the feelings of others that he has never the excuse of blindness , and keeps him at a distance ...
Contents
THE PRODUCTION OF POETIC DRAMA February | 3 |
The Death of Tintagiles December 27th 1913 | 54 |
THE DRAMATIST OF THE FUTURE Ghosts | 61 |
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acter actors actress admirable Apple Cart artist audience beauty better Cæsar char character comedy course criticism curtain Cymbeline dark daughter death delight dialogue drama dramatist Duse effect emotion English excellent expression eyes father feel Fortune Theatre Franklin Dyall Galsworthy gestures girl Granville Barker Haggett Hamlet human husband Iago Ibsen imagination interest Joan Julius Cæsar kind last act live look lover Magda Maugham ment mind Miss modern moral moving nature never night Noel Coward once Othello passages passion pathos performance Pierrot play poet poetry producer realistic remember Rosmersholm Sacha Guitry Sarah Bernhardt scene sense sentiment Shakespeare Shaw Shaw's Shylock Sonya soul speak speech spirit stage Stephen Moor story Strindberg suggest sympathy Tchehov tell tenderness Theatre theme things thought tion touch tragedy turn Uncle Vanya Vanya voice Volpone wife woman words write young youth